Come Baby Come – Mohamed Ramadan & Skales / ( أغنية كم بيبي كم – ( أنا عايز البيضا .. لا عايز السمرا

In the ever-evolving landscape of global music, collaborations that bridge cultural divides are becoming increasingly common. One such captivating partnership is between Egyptian superstar Mohamed Ramadan and Nigerian artist Skales in their vibrant track “Come Baby Come.” Released in 2023, this song encapsulates a blend of Afrobeat rhythms and Middle Eastern melodies, showcasing the artists’ distinctive styles while creating an infectious party anthem.

Artist Backgrounds
Mohamed Ramadan is a multifaceted Egyptian talent known for his music, acting, and vibrant personality. Since his rise to fame, he has become a cultural icon in the Arab world, celebrated for his catchy tracks and engaging performances. His music often blends traditional Arabic sounds with contemporary influences, making him a household name across the Middle East and beyond.

On the other hand, Skales, a prominent figure in the Nigerian music scene, is known for his contributions to Afrobeat and hip-hop. With a career that spans over a decade, Skales has made significant strides in the industry, delivering hits that resonate with fans worldwide. His unique voice and ability to blend different musical genres have earned him a loyal following.

Musical Composition
“Come Baby Come” opens with a lively beat that immediately sets the tone for the track. The fusion of electronic elements with traditional Afrobeat instrumentation creates a vibrant soundscape that invites listeners to dance. The song features an engaging bassline, rhythmic percussion, and catchy melodies that are hallmarks of both artists’ styles.

As the track progresses, the infectious chorus, which repeats the phrase “Come baby come,” becomes a central hook that easily sticks in the listener’s mind. The interplay between Ramadan’s Arabic-inflected verses and Skales’ smooth English lines creates a dynamic musical conversation, emphasizing the cultural blend that defines the song.

Lyrical Themes
Lyrically, “Come Baby Come” revolves around themes of attraction, desire, and celebration. The lyrics express a playful longing for a romantic partner, filled with flirtatious lines that are both relatable and catchy. The phrase “أنا عايز البيضا .. لا عايز السمرا” (I want the fair one … not the dark one) has sparked discussions about preferences in relationships, showcasing a blend of humor and lightheartedness in the narrative.

The playful nature of the lyrics, combined with the upbeat rhythm, encourages listeners to let loose and enjoy the moment. This sense of joy is a common thread in both artists’ work, as they aim to create music that resonates with everyday experiences while also providing an escape from the mundane.

Cultural Significance
The collaboration between Mohamed Ramadan and Skales is significant not only for its musicality but also for its cultural implications. It highlights the growing trend of cross-continental collaborations, showcasing the universality of music as a means of connection. By blending Afrobeat and Arabic influences, the song bridges cultural gaps and brings together diverse audiences.

Moreover, “Come Baby Come” reflects the evolving music industry, where boundaries between genres and cultures continue to blur. This trend is particularly important as it promotes understanding and appreciation of different musical traditions, encouraging artists to experiment and innovate.

The Music Video: A Visual Extravaganza
The official music video for “Come Baby Come” complements the song’s energetic vibe with visually striking imagery. Set against a backdrop of vibrant colors and dynamic choreography, the video features both artists showcasing their dance moves, emphasizing the celebratory nature of the track.

The visuals capture a festive atmosphere, with scenes depicting a lively gathering filled with laughter and joy. The integration of traditional and contemporary elements in the choreography further highlights the cultural fusion that the song embodies. The combination of captivating dance sequences and vivid cinematography creates a feast for the eyes, enhancing the overall impact of the song.

Reception and Impact
Since its release, “Come Baby Come” has garnered significant attention, receiving praise from fans and critics alike. The song quickly climbed various music charts, solidifying both Ramadan and Skales’ positions as leading figures in their respective music scenes. The infectious nature of the track, coupled with its engaging visuals, has contributed to its viral success on social media platforms.

Fans have embraced the song, sharing dance challenges and snippets of their favorite parts, further amplifying its reach. The collaboration has not only resonated with existing fans of both artists but has also attracted new listeners, showcasing the power of cross-cultural music in uniting diverse audiences.

Conclusion: A Celebration of Unity Through Music
“Come Baby Come” by Mohamed Ramadan and Skales stands as a testament to the power of music to transcend cultural boundaries. The infectious rhythm, playful lyrics, and vibrant visuals combine to create an anthem that celebrates love, attraction, and the joy of living in the moment.

In an era where collaboration is key, this track exemplifies how artists from different backgrounds can come together to create something truly special. As music continues to evolve, “Come Baby Come” serves as a reminder of the beauty of diversity in sound and the unifying force of rhythm and melody.

This collaboration not only enriches the artists’ discographies but also contributes to a broader conversation about cultural appreciation and the shared experiences that music can evoke. In a world increasingly connected through digital platforms, “Come Baby Come” invites listeners to celebrate their differences while dancing to a common beat.

Lyrics – كلمات الأغنية

If you hating, you go rest in peace
All I wanna do right now is get this cheese
If I no work, na who go pay this bills?
Cause na only credit alert dey give me chills (give me chills)
Once again, I’m on my knees
As I pray for good health, I dey pray for peace
So cold outside, then I don dey freeze
But, still I keep it jiggy, yo

Won le jo oh, won jo
Wo ibadi t’oun jo
Anywhere that I go
Dem no fit thief my throne
I know, you know (I know, you know)
Another me is a clone
‘Cause me I bad to the bone
Everything loud, never on a low

قفلت اللعبة معايا الشفرة
انا ماعاشرش الناس الصفرة
الاعلى آجرًا فالقارة
باسبوري مافضلش فيه صفحة

أنا عايز البيضة
Come Baby Come
لا عايز السمرة
Come Baby Come
أكل الوزة
‏Come Baby Come
ولا أكل البطة
Come Baby Come
ساعة بتتقل
‏Come Baby Come
وساعة كده شابطة
Come Baby Come
وانا بحاول بس مش فاكر اسمها اصلا
Come Baby Come

تشيكي تشيكي صحي النوم ويكي ويكي
من بدري عليكي قاطع مابحبكيش لما تكدبي
تشيكي تشيكي صحي النوم ويكي ويكي
عايزك معاهم تبقي برو بس معايا تبقي ليدي

No matter what dem say, konibaje
I’m fresh to death, konibaje
You might loose your breath, konibaje
With my full chest, kolebaje (kolebaje)
Matter, what dem say, konibaje
I’m fresh to death, konibaje
You might loose your breath, konibaje
With my full chest, kolebaje (ahh-ah)

يو يو يو الحفلة بتولع باربيكيو
يو يو يو نمبر وان مش نمبر تو
يو يو يو ما تشغلهاش علشان هتتوه
يو يو يو اتصور جنبي الناس عرفوه
معبي كاريزما جوة الچركن
كلها جاية تقول امبو يو يو يو

Mohamed Ramadan