“El Tsurito,” a collaboration between Junior H, Peso Pluma, and Gabito Ballesteros, stands out as a vibrant and energetic example of the evolving Regional Mexican music scene. The live version of the song captures the raw energy and authentic connection between the artists and their audience, making it a compelling piece that resonates with fans of the genre. Released as a live performance, “El Tsurito” blends the unique styles of these three rising stars, each of whom brings something distinct to the table.
The Artists: A Rising Force in Regional Mexican Music
Junior H (Antonio Herrera Pérez) has been making waves in the Regional Mexican music scene with his unique blend of corridos tumbados—a modern twist on traditional corridos that incorporates elements of trap and urban music. His lyrical storytelling and authentic voice have garnered him a significant following, particularly among younger audiences who are drawn to his contemporary take on a classic genre.
Peso Pluma (Hassan Emilio Kabande Laija) is another standout in the genre, known for his gritty voice and ability to merge traditional Mexican sounds with more modern beats. His music often delves into themes of life on the streets, love, and the struggles of everyday life, resonating deeply with listeners who find his music relatable and authentic.
Gabito Ballesteros brings his own flair to the collaboration, known for his powerful voice and emotional delivery. Ballesteros is celebrated for his ability to convey deep emotion through his music, often touching on themes of heartache, perseverance, and the complexities of life. His contributions to “El Tsurito” add a layer of depth and soulfulness that complements the energy of Junior H and Peso Pluma.
Musical Composition: A Fusion of Styles
“El Tsurito” is a song that effectively blends the styles of all three artists, creating a dynamic and engaging track. The live version is particularly noteworthy for its raw energy and the palpable chemistry between the performers. The song features a traditional corrido rhythm, but with a modern twist that includes elements of urban beats and contemporary production techniques.
The instrumentation in “El Tsurito” is rich and layered, with the use of guitars, bass, and traditional Mexican instruments like the accordion. The arrangement allows each artist’s voice to shine, while also creating a cohesive sound that feels both modern and rooted in tradition. The song’s rhythm is infectious, with a driving beat that keeps the energy high throughout the performance.
Lyrically, “El Tsurito” touches on themes common in corridos, such as tales of resilience, loyalty, and the challenges faced by those who live life on their own terms. The storytelling aspect of the song is strong, with each artist contributing verses that paint vivid pictures of life experiences, struggles, and triumphs.
The Live Performance: A Testament to Authenticity
The live version of “El Tsurito” is particularly powerful, as it captures the energy of a live audience and the chemistry between the performers. There’s an authenticity to the performance that is often hard to replicate in a studio recording. The live setting allows the artists to connect with their audience in a more intimate way, making the performance feel personal and real.
Junior H, Peso Pluma, and Gabito Ballesteros each bring their unique presence to the stage, creating a dynamic performance that keeps the audience engaged from start to finish. The live performance is filled with moments where the crowd’s energy feeds back into the performance, creating a loop of excitement and connection that elevates the song to another level.
The visuals of the live performance also add to the overall experience. The stage setup, lighting, and camera work all contribute to creating a visually engaging experience that complements the music. The artists’ interactions on stage—whether it’s trading verses, harmonizing, or simply enjoying the moment—make the performance feel spontaneous and genuine.
Impact and Reception
Since its release, “El Tsurito” has received widespread acclaim from fans and critics alike. The song has been praised for its fusion of traditional and modern elements, as well as the strong performances from all three artists. The live version, in particular, has been highlighted as a standout, showcasing the raw talent and charisma of Junior H, Peso Pluma, and Gabito Ballesteros.
The collaboration has also been seen as a significant moment for Regional Mexican music, as it brings together three of the genre’s most promising young talents. The success of “El Tsurito” is a testament to the growing popularity of corridos tumbados and the ways in which the genre is evolving to incorporate new influences and reach a broader audience.
Fans of the genre have embraced the song, and it has quickly become a favorite at live shows and on streaming platforms. The energy and authenticity of the live performance have made “El Tsurito” a must-see for fans of Regional Mexican music.
Conclusion
“El Tsurito” by Junior H, Peso Pluma, and Gabito Ballesteros is a powerful example of the evolving sound of Regional Mexican music. The song’s fusion of traditional corrido elements with modern production and the raw energy of a live performance make it a standout track in the genre. The collaboration between these three talented artists has created a song that resonates deeply with audiences, offering both a nod to tradition and a glimpse into the future of Regional Mexican music. As “El Tsurito” continues to gain popularity, it’s clear that Junior H, Peso Pluma, and Gabito Ballesteros are not only shaping the present of the genre but also its future.
Fierro
Primo, bájese ya del Tsurito
Compa Junior, compa Peso
Dice
Jua, ¡ayayai!
Primo, bájese ya del Tsurito
Ya se chingó mucho ese polvito bendito pa la nariz
La misión tiene que cumplir, ya va repleto de valor, no tenga miedo
Viejo, es pa’ que ya no tiemble el dedo
Trucha por si ve algún movimiento, nos tenemos que pelar
Escuché el radio bien mi apá y en cuanto deje de tronar, pegamos fuga
Los santos nunca me dan la espalda
Le di un beso a lo’ collares y el cuernito me tercié
Los del ancla me vocearon fuertemente
Dije, “plebes, no se asusten, la neta traemos con qué”
Parecía dulcería, Marinela nos caían
Y las balas como dulces van a volar en contra mía
Ayayai (¡uh!)
Vámonos, compa Junior, compa Peso (ahí va, compa Gabito)
Ayayai, que siga la mata dando, viejo (Doble P)
Que truene, que truene, viejo
¿Cuánto quiere pa’ que me quite este circo?
Aquí hay huevos huevos, aquí hay feria del perico
Ya sé, no va por ahí
No me pesa pa’ picharles a sus ratas desechables una ropa
Hay cuernos, piñas, lanzapapas, hay buffet
Usted diga si hacemos las cosas bien, no tenemos que pelear
Yo le ayudo, usted me ayuda y si le gusta lo simple, no me sirve
El sargento dijo, “La gente de huevos”
La neta, mi chavalón, con esos me gusta pelear
Y qué gusto, sepa somos de los mismos
Nomás que si le doy power nos tenemos que arreglar
Parecía dulcería, Marinela nos caían
Y las balas como dulces van a volar en contra mía
Quiero hablar con el encargado
Porque aquí no se ve el diablo
¡Uh!
Que suene bonito, viejo
Compa Cochi
Compa René, ayayai
Así nomás
Fierro, se fue