Natanael Cano, one of the pioneers of the corridos tumbados movement, continues to captivate listeners with his unique sound and authentic storytelling. His song “Más Altas Que Bajadas” exemplifies the introspective side of his music, blending traditional Mexican music influences with contemporary urban elements. Released in 2021, the track offers a glimpse into Cano’s personal and artistic growth, highlighting themes of resilience, determination, and self-reflection. In this article, we will explore the composition, lyrical content, and overall impact of “Más Altas Que Bajadas” and its place within the larger narrative of Natanael Cano’s career.
Natanael Cano: The Pioneer of Corridos Tumbados
Before diving into the song, it’s important to understand the broader context of Natanael Cano’s career and his role in popularizing the corridos tumbados genre. Hailing from Hermosillo, Sonora, Cano has been credited with modernizing the traditional corridos genre by incorporating elements of trap, hip-hop, and regional Mexican music. Since his breakthrough in 2019, Cano’s music has resonated with a new generation of listeners, blending the streetwise narratives of urban music with the rich storytelling tradition of corridos. His sound has been instrumental in bridging the gap between older Mexican musical traditions and contemporary trends.
Musical Composition and Style
Más Altas Que Bajadas is a perfect example of Cano’s signature style, blending acoustic guitar with modern beats and urban flair. The song opens with a delicate strumming of the guitar, setting a mellow yet reflective tone. As the track progresses, the rhythm becomes more intricate, incorporating subtle percussion elements that give it a modern edge. The fusion of acoustic instrumentation with urban production creates a unique sonic landscape that speaks to Cano’s ability to blend genres seamlessly.
The guitar remains central to the composition, anchoring the track in the traditional sound of corridos. However, the modern production techniques—such as vocal layering, minimalist beats, and subtle autotune—add a contemporary touch, making the song accessible to younger audiences. The balance between old and new is what sets Cano apart from his peers, allowing him to stay true to his roots while continuing to innovate musically.
Lyrical Themes: A Story of Resilience
The lyrics of “Más Altas Que Bajadas” revolve around themes of resilience, personal struggle, and triumph over adversity. The title itself, which translates to “More Ups than Downs,” reflects the central message of the song: despite the challenges and difficulties faced along the way, the journey has ultimately been one of success and personal growth.
Cano reflects on his experiences of hardship and perseverance, singing about the trials he has faced both personally and professionally. The song is deeply introspective, as he acknowledges the obstacles he has overcome while maintaining a sense of humility. There’s an underlying message of gratitude, as Cano expresses appreciation for the lessons learned through hardship and the strength gained from enduring tough times.
In lines like “He pasado más altas que bajadas, pero sigo de pie” (I’ve had more ups than downs, but I’m still standing), Cano offers a mantra of perseverance. This sentiment resonates with many of his listeners, especially those who have faced struggles in their own lives and can relate to the themes of determination and survival.
The Visual Representation: A Simple, Reflective Aesthetic
The music video for “Más Altas Que Bajadas” mirrors the introspective nature of the song. Shot with a minimalist aesthetic, the video primarily focuses on Cano, giving the viewer an intimate look into his reflective state of mind. There are no extravagant visuals or heavy special effects—instead, the video opts for simplicity, reinforcing the song’s personal and grounded themes.
In various scenes, Cano is shown alone, playing his guitar or reflecting in quiet, isolated locations. The subdued color palette and stark visuals emphasize the theme of self-reflection, allowing the song’s message to take center stage. The video complements the song’s lyrics and composition, providing a visual narrative that enhances the emotional depth of the track.
The Broader Impact: Cano’s Influence on Modern Corridos
Más Altas Que Bajadas stands as a testament to Natanael Cano’s continued growth as an artist. As one of the leaders of the corridos tumbados movement, Cano has played a significant role in shaping the direction of modern Mexican music. His ability to blend traditional sounds with contemporary influences has expanded the reach of corridos beyond Mexico, gaining him a substantial international fanbase.
Songs like “Más Altas Que Bajadas” demonstrate Cano’s talent for storytelling and his ability to connect with his audience on a personal level. The themes of struggle and perseverance resonate deeply with listeners, making his music relatable to people from all walks of life. Moreover, Cano’s willingness to evolve musically while staying true to his roots ensures that he remains relevant in the ever-changing landscape of the music industry.
Conclusion
Natanael Cano’s “Más Altas Que Bajadas” is more than just a song—it’s a reflection of the artist’s personal journey and his ability to rise above adversity. Through its heartfelt lyrics, innovative musical composition, and simple yet evocative visuals, the song captures the essence of resilience and growth. As Cano continues to push the boundaries of corridos tumbados, he proves that his music is not only a celebration of Mexican tradition but also a forward-thinking expression of modern-day struggles and triumphs. With “Más Altas Que Bajadas”, Cano solidifies his place as one of the most influential voices in contemporary Latin music, inspiring countless listeners with his story of perseverance and determination.
Aún recuerdo cuando empezaba
La feria no la buscaba
Pero cuando le echas ganas más te ayuda Dios
El pedo aquí está en la jugada
Si le pegas todo, ganas, si no, regresas con nada
Ay, así pensé yo
Hoy son más altas que bajadas
Ya no me humillan pa nada
La ropita no es prestada, me la compré yo
La vida no está tan pelada y fácil como yo pensaba
Pero chale, peor es nada
Y pa adelante voy
Usaba la ropa tumbada
Y tumbada sigue luciendo
Sólo que se elevó mucho el precio al marcador
El Cartier dice que es mi tiempo
Dos ochitos de veneno y una corta
Mi San Judas, protegido estoy
Los ángeles del mero centro
Pa que ustedes vayan viendo de dónde
Proviene el morro que salió un cabrón
Mis hijas es lo que más quiero, si me las tocan me prendo
Ya se sabe que no miento, no soy fanfarrón
Con huevos y con la cortita, nadie la atora un topón
En los aires tengo mi casa, mirando a todo el que pasa
Aquí arriba no se escuchan, ládrenle mejor
El Mercedes no se me raja
Nomás basta una llamada pa llegarle
Y desde una tumbarle el cantón
Me superé y fue de la nada
Me gustó la vida cara
Los diamantes, la ropita de diseñador
De cien, si no, no quiero nada
La máquina pa contar la feria
Porque es un vergazo lo que muevo yo
Antes la andábamos perriando, pero la cosa cambió